Richard Curtis’ magnum opus was a British production (in case you couldn’t tell), but even some of its many storylines find something naggingly American about the aspirational nature of the rom-com genre. Literally nothing in “Love Actually” makes sense if you stop and think about it for even a few seconds, but love, actually, always seems to add up in the moment.
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It’s hard to imagine how the mismatched couple in “Something Wild” might possibly sustain a lasting relationship after the credits roll, but where that movie leaves you - and the journey it takes to get there - is so thrilling and alive that you can’t help but trust it. On paper, a film like “Pretty Woman” might be a retrograde fairy tale about a hooker with a heart of gold and the rich businessman who can afford it, but the chemistry between Julia Roberts and Richard Gere is so explosive that you surrender to the sentiment of it all.
There’s a special alchemy that allows us to believe in the magic of meet-cutes, happily ever afters, and all of the agonizing contrivances that tend to pop up between the two that gives storytellers permission to transpose the stuff of operas and fables into the fabric of real life. ¸ ✔✔ ⚀✤⚀#LOVELY ⚀like back comments ✤⚀ Reply Delete
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